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ARCHIVED FORUM -- April 2007 to March 2012 READ ONLY FORUM
This is the first Archived Forum which was active between 17th April 2007 and
1st March February 2012
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Santiago: Hello Henry, I have a pair of BL4s working as PC speakers via beoport, which I use daily. ... they do a very good job even if they clearly have a lack of bass. BL4s get a markedly improved bass performance if you mount them on the wall by your listening position, or if you are able to figure a way of getting them up from the surface they have
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Peter: I think it far more relevant that Lee should represent the Beoworld brand and what could be possible to engender closer relations between the fan base and the company rather than concentrate on the products of a third party. It may well be that closer relations can assist the Mac cause by showing the strength of feeling of the Beoworld fraternity
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Philippe: Don't want to act like a moderator, but the original question is step by step diluting in this Apple vs Microsoft battle... (I have Macs and I have PCs : both have their pros and cons. Nobody's white, nobody's black. Period) Philippe Philippe, I agree that there are many more issues to explore, but we are dealing with products
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Apple vs. Windows. This is a no-brainer, and probably not even worth spending question time on. Any Consumer Electronics provider in A/V who does not align product functionality with Apple's user friendly GUI and OS will find itself hopelessly behind those who do. The graphics, music and film industries are applying Mac-technology and interfaces
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Alex: S/PDIF is the connection type, not the data format. S/PDIF and TOS-Link are the two major digital connection methods. PCM, AC3, and MPG spring to mind as common data/encoding formats. BeoLab 5s will only accept PCM, for good reason, much higher quality than anything else. RCA, BNC or TOSLINK are the THREE major connection methods for ... ... the
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You've tried the different switch positions for signal type?
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wirralsimon: soundproof: Which is interesting, though I haven't been able to get a good answer to this question: If we accept this, why do we need a supertweeter? Can't we just filter off said distortion without connecting it to a supertweeter? As part of the loudspeaker design ... That was my first thought, part of the answer lies in the fact
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wonderfulelectric: I think it is not the sound of the supertweeter that matters but the reduction in breakup modes in the tweeter during the production of high frequencies. In the case of a seperate supertweeter, I think it filters off the distortion inducing super high frequencies from the normal tweeters. Which is interesting, though I haven't
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solaris: can anyone please comment on the following system I am considering for my home theater (USA). this is a dedicated home theater (though small in size) 16 feet x 12 feet (12 feet in the TV direction). TV - debating between a Panasonic TH50pz700U (consumer reports best buy) vs. Pioneer Elite 50 inch. any comments please ? sound system: BeoLab
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jandyt: soundproof: David: For instance, Kimber cable is now attempting to convince customers that there's a difference in the sound experienced through cables depending upon the COLOUR of the cable, and they recommend using a clear cable for the negative and a white cable for the positive connector. Gosh! I've heard it all now! Andy T. Yes
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